About the Cover

At the University of Minnesota, Daniel Keefe and Marc Swackhamer are members of MINNLAB, a trans-disciplinary collective that creates urban site-specific…

On multiple levels, in various degrees of scale or metaphor, the work of Sally Weber illuminates alchemical processes.

Andrew Bluff and Andrew Johnston, both at the University of Technology Sydney UTS in Australia, collaborated with Stalker Theatre on numerous…

A tool that creates realtime interactive color maps for scientific visualization helped enhance the dynamics of a major research project for the…

Artist James Alan Smith is driven to involve himself in the creative process, whether through coding or visual art.

Influenced by her time working at the Aquarium of the Pacific in Long Beach, California, Kelly Lanphiers artwork reflect her lifelong interest in sea life…

iThe Vandal Ideas Project, a competitive grant program launched in 2015 at the University of Idaho to encourage collaborative work, held an exhibition,…

To some degree, comics have always been used to convert data into stories, from ancient Egyptian heiroglyphics to crude biology diagrams in…

This paper discusses the works of Artist Frank Bonilla, a visual artist.

Dolores Kaufman often begins her pieces by transmuting scanned photos and objects into new digital images.

Vincent Pucciarelli's imagery falls into the category of pure digital abstraction.

Dustin Arendt, a fulltime visualization scientist at the Pacific Northwest National Laboratory PNNL, recently captured top honors at the IEEE International…

With Mandelbulb 3D as his creative environment of choice, Hatch generates seemingly endless amounts of evocative and colorful imagery, all of which function…

Alvaro Ocampo traversed many landscapes to arrive at his current space in the digital art landscape.

Ron Barnett has more than a quarter-century of experience crunching code and creating fractal art.

After a long career in academia as a professor of psychology, John Valois turned to the world of art as his creative outlet.

Based in Mumbai, India, Avani Aggarwal is a digital artist whose pieces reflect a yin-and-yang style harmony of digital and nature.

Audra Geras combines a long-term love for the intricate complexities of nature and artistic passion in her biomedical art business.

Eric Wayne implements a technique he calls "digital impasto" in order to replicate traditional painting on a computer.

Having begun her artistic career using brushes, canvases, tubes of paint, and all the proprietary components of those disciplines, May/June 2015 CG&A…

March/April 2015 CG&A artist Kevin O'Connell is both a fine artist who shoots representational imagery from the natural world and an…

January/February CG&A artist Paul Griffitts does all his work with a free fractal rendering program called Mandelbulb 3D MB3D.

This installment features the computer-generated art of Omaste Witkowski, who takes and then manipulates photos.

You don't often encounter an 80-year-old psychiatrist who uses modular graphics synthesizers and mathematical algorithms to generate vibrant fractal fusions…

This installment looks at the work of Stanley Bowman, who has been creating digital art since the '80s.

CultLab3D, a mobile digitization lab, automates and industrializes the digitization of museum artifacts quickly and inexpensively.

This issue's article examines the digital artwork of Bruce Thacker.

This issue's article examines the digital artwork of Rod Seeley, who transforms basic fractal images into complex works of art.

This issue's article examines the digital artwork of Siebren Versteeg, whose proprietary code emulates characteristics of analog abstract…

This issue's article examines the digital artwork of Michael Frank.

This issue's article examines the digital artwork of Nicola Hawkes.

This issue's article examines the digital artwork of Edwin van Munster.

This article takes a look at the computer-based artwork of Lynne Medsker.

Artist Tony Gaglio gave up his hobbyist interest in hand illustration for the tools and speed he gets from the computer.

Lawyer, photographer, and this month's cover artist, Jerry Palmer, uses a digital camera and Photoshop to "draw on the right…

Noted computer art pioneer Lillian Schwartz is highlighted in this story about the current issue's cover; her work in the 1970s served as a…

This installment looks at the work of Jaison Cianelli, who creates art based on digital imagery.

This installment looks at the work of Sipo Liimatainen, who creates art based on digital imagery.

This paper looks at the work of Dan Turner, who creates art based on digital imagery.

This installment looks at the work of Lita Albuquerque, who creates art based on digital imagery.

This installment looks at the work of Debi Peralta, who creates art based on digital imagery.

This installment looks at the work of Georgia Wild, who creates art based on digital imagery.

This installment looks at the work of Brenda Molloy, who creates art based on digital imagery.

This installment looks at the work of Ryan Bliss, who creates art based on digital imagery.

This installment looks at the work of James Koehnline, who creates art based on digital imagery.

This installment looks at the work of Bruce Deitrick Price, who creates art based on digital imagery.

This installment looks at the work of Warren Furman, who creates art based on digital imagery.

This installment looks at the work of Kyle Franklin Neuberger, who creates art based on digital imagery.

This installment looks at the work of Parys St. Martin, who creates art based on digital imagery.

This installment looks at the work of Renata Spiazzi, who creates art based on digital imagery.

This installment looks at the work of Ursula Freer, who creates art based on digital imagery.

This installment looks at the work of Bob Nendza, who creates art based on digital imagery.

This paper discussed about a software called Apophysis that has known to be a software that can be downloaded by anyone and used by an online…

This installment looks at simulation visualization's created by UC Davis researcher Kwan-Liu Ma's team.

This month's cover artist, Paul Cooklin, believes art is an expression of one's self that can't be taught.

Randy Kochis enjoys the freedom of correcting gaffes, improvising, and the overall process of trial and error in digital art.

Utilizing the POV Scene Description Language POV-SDL, as well as his own custom-developed software, Robert McGregor creates digital image art completely…

Cover artist Janet Parke, who grew up with music, theater, and dance, discusses how she discovered fractal art quite by accident.

Cover artist Mike Butler discusses how he's influenced by science fiction and artists to create his unique digital art.

Cover artist Tom Hubbard discusses how he transformed from taking realistic photographs to the world of creating abstract digital art.

The cover art for this issue is provided by Andrew Hindman, a California-based artist.

Cover artist Tim Borgmann discusses striking a balance between creating abstract art and working as a professional illustrator and animator.

Cover artist David Hart discusses his background, work, and inspiration.

Even a brief perusal of artist Anna Tanczos' Web site reveals a variety of styles: abstract constructions, representational imagery, or works inspired by…